Filtering by: Audio Description
The People's Palace (Presented by Zaccho Dance Theatre and Dancer's Group)
May
10
7:00 PM19:00

The People's Palace (Presented by Zaccho Dance Theatre and Dancer's Group)

Photo of a dancer with her arms in the air under a colorful City Hall arch with images of people of color replacing historical images in the medallions.

The People’s Palace is an artistic intervention with City Hall’s Beaux-Arts Roman and Greek iconography. Aerialists and performers will interact with the architecture and large scale projections, transforming these symbols into new, more inclusive narratives that more accurately reflect San Francisco’s diverse and dynamic cultures and community. Through performance, music, storytelling, and immersive technologies, The People’s Palace invites the audience to actively engage these new narratives.

This is an ADA-accessible venue.

7pm pre-show Haptic Access Tour begins
8pm audio described performance (30 minutes)
8:30pm audio described performance (30 minutes)

Tickets: free

Click for box office and ticket info.

For more information click here.

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Dance Series 2 (Presented by Smuin Contemporary Ballet)
May
12
12:30 PM12:30

Dance Series 2 (Presented by Smuin Contemporary Ballet)

  • Blue Shield of California Theater at YBCA (map)
  • Google Calendar ICS

A white man stands against a spotlight and a purple background holding a microphone and pretending to sing in the style of Elvis Presley.

Dance Series 2 closes out Smuin’s 30th anniversary. Annabelle Lopez Ochoa takes inspiration from the life of Elvis in Tupelo Tornado, a world premiere. Amy Seiwert’s Broken Open, which the San Francisco Chronicle called “fresh, challenging, and relevant” at its premiere, returns, as well as Smuin Artist Brennan Wall’s Untwine. Michael Smuin’s Starshadows, a dreamy piece for three couples to a Ravel score and one of his earliest works for the Company, completes the program.

This is an ADA-accessible venue.

Haptic tour/audio description provided by Rachael Dichter of Gravity Access Services
12:30 Meet in lobby for Haptic Tour
12:45 Haptic Tour
2:00 Performance

Tickets: $34-$89

Box office: 415-912-1899

For more information click here.

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A Midsummer Night's Dream (Presented by Shotgun Players)
Apr
7
4:00 PM16:00

A Midsummer Night's Dream (Presented by Shotgun Players)

A fairy straddling a man with a "bottom's up" tattoo and a donkey head. They are standing in a moonlit forest.

The warrior queen, Hippolyta, is compelled to marry her captor, Theseus. A comical group of mechanics decides to gift the couple with a play performed at the wedding. Rehearsals are interrupted by a group of lovers in a chase of one another, heightened by magic juice administered by a mischievous fairy, Puck…and hilarity ensues. Shotgun has a reputation for bold re-imaginings of classic works. Buckle up for an adventure!

ADA-accessible venue.

Audio Description provided by Gravity Access Services.
Haptic tour at 4 pm, audio described show at 5 pm.
Gravity Access info: info@jesscurtisgravity.org

Tickets: $28-30

Click here for event info and tickets.

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Alvin Ailey American Dance Theater (Presented by Cal Performances)
Apr
2
7:30 PM19:30

Alvin Ailey American Dance Theater (Presented by Cal Performances)

Five shirtless people are in a connected shape against a dark pink background.

Continuing a 55-year relationship with Cal Performances, the Alvin Ailey American Dance Theater returns to the Berkeley campus for the company’s annual residency with a selection of recent works and Ailey masterpieces. Steeped in the sounds of jazz, blues, and hip-hop, the Ailey repertory celebrates the Black American experience, offering music and movement as expressions of pure joy and as opportunities for reflection and resistance. Past favorites and new works come alive through the commitment and artistry of the company’s athletic, expressive dancers, who inhabit choreography by creators like Rennie Harris, Aszure Barton, Twyla Tharp, Jamar Roberts, and Artistic Director Robert Battle with the same conviction as they reinvent classic Ailey works like Revelations.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $45 - $158

Click here for event info and tickets.

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FROLIC Program B (Presented Queering Dance Festival)
Mar
30
7:00 PM19:00

FROLIC Program B (Presented Queering Dance Festival)

Background: Dancer crouched down and intertwining arms with another dancer on a white background. Image text: Queering Dance Festival presents FROLIC! CounterPulse, 80 Turk St, SF. March 28 - 30. 4 shows, 2 programs, 8 artists QUINN DIOR NOL SIMONSE STYLES ALEXANDER IDHAZ AND NAHUALLE ISHAMI DANCE COMPANY YVONNE ONAKEME ETAGHENE EBUBE OBIOMA & KY FRANCES MELÍ GÓMEZ & ANNALISE CARRILLO CONSTANTZ www.shawl-anderson.org/queeringdance

QDF is thrilled to present FROLIC! as a 2024 Co-Production with CounterPulse, comrades in presenting radical and experimental work in the Bay. This year’s festival features eight artists across two exciting programs. From exploring dyke heartbreak through Afrobeat poetry, to drag embodiment of queer Xicanx cowboys, FROLIC! artists bring fearless depth, joyful experimentation, and mythic memory to the stage.

Program A: Works by Styles Alexander, Nol Simonse, IDHAX and Nahaulle, and Yvonne Onakeme Etaghene

Program B: Works by Quinn Dior, Melí Gómez & Annalise Carrillo Constantz, Ishami Dance Company, and Ebube Obioma & Ky Frances

ADA-accessible venue.

ASL interpretation provided for this performance.

Audio description provided by Gravity Access Services.
Haptic tour at 7:00, performance begins at 7:30.

Tickets: $0-$60

Tickets are sliding scale. People who are DEAF/HOH, blind/low-vision, and their guests are expected to pay $0 for tickets.

Click here for event info and tickets.

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FROLIC Program A (Presented Queering Dance Festival)
Mar
30
4:30 PM16:30

FROLIC Program A (Presented Queering Dance Festival)

Background: Dancer crouched down and intertwining arms with another dancer on a white background. Image text: Queering Dance Festival presents FROLIC! CounterPulse, 80 Turk St, SF. March 28 - 30. 4 shows, 2 programs, 8 artists QUINN DIOR NOL SIMONSE STYLES ALEXANDER IDHAZ AND NAHUALLE ISHAMI DANCE COMPANY YVONNE ONAKEME ETAGHENE EBUBE OBIOMA & KY FRANCES MELÍ GÓMEZ & ANNALISE CARRILLO CONSTANTZ www.shawl-anderson.org/queeringdance

QDF is thrilled to present FROLIC! as a 2024 Co-Production with CounterPulse, comrades in presenting radical and experimental work in the Bay. This year’s festival features eight artists across two exciting programs. From exploring dyke heartbreak through Afrobeat poetry, to drag embodiment of queer Xicanx cowboys, FROLIC! artists bring fearless depth, joyful experimentation, and mythic memory to the stage.

Program A: Works by Styles Alexander, Nol Simonse, IDHAX and Nahaulle, and Yvonne Onakeme Etaghene

Program B: Works by Quinn Dior, Melí Gómez & Annalise Carrillo Constantz, Ishami Dance Company, and Ebube Obioma & Ky Frances

ADA-accessible venue.

ASL interpretation provided for this performance.

Audio description provided by Gravity Access Services.
Haptic tour at 4:30, performance begins at 5.

Tickets: $0-$60

Tickets are sliding scale. People who are DEAF/HOH, blind/low-vision, and their guests are expected to pay $0 for tickets.

Click here for event info and tickets.

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Anna Karenina (Presented by Cal Performances)
Mar
15
8:00 PM20:00

Anna Karenina (Presented by Cal Performances)

Two dancers are spotlit on stage.

Love is all-consuming for Anna, who is married but finds herself caught in the maelstrom of a lifechanging love affair with the dashing Count Vronsky. The dancers of the Joffrey Ballet return to Berkeley with Anna Karenina, full-length story ballet choreographed by Yuri Possokhov and featuring an original score by award-winning composer Ilya Demutsky, performed live by the Berkeley Symphony. When it premiered in 2019, the ballet won the “Oscars of Dance,” the Benois de la Danse International Prize for Best Choreography. Set in the late 19th century, the production styles Anna’s tragic tale as a psychological thriller, weaving together themes of violence and betrayal.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $44 - $162

Click here for event info and tickets.

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Celebrating Michael Smuin (Presented by Smuin Contemporary Ballet)
Mar
2
12:45 PM12:45

Celebrating Michael Smuin (Presented by Smuin Contemporary Ballet)

A man wearing a black cape, hat, and eye mask, and holding a sword, stands with his arm around a woman wearing a lace dress and mantilla. The man represents the character of Zorro.

Join us for these special performances celebrating our founder, Michael Smuin. A true swashbuckler, Zorro! has not been performed since 2006. Fly Me to the Moon, revived now for its 20th anniversary, is quintessential Michael. This beloved tribute to Frank Sinatra has both the pointework and pizzazz you expect from Smuin.

ADA-accessible venue

Audio description for this performance is provided by Rachael Dichter of Gravity Access Services.

Haptic tour begins at 12:45 PM
Audio described performance begins at 2 PM

Tickets: $36 - $99

Click here for event info and tickets.

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Bark of Millions (Presented by Taylor Mac & Matt Ray)
Feb
23
7:00 PM19:00

Bark of Millions (Presented by Taylor Mac & Matt Ray)

A group of performers with colorful costumes pose in a group formation.

Taylor Mac, the MacArthur Fellow, Kennedy Prize winner, and Pulitzer Prize finalist, and Obie award-winning composer Matt Ray visit with the West Coast premiere of Bark of Millions, a four-hour “parade trance extravaganza.” Bark of Millions is a rock opera meditation on queerness featuring 55 original songs (one song per year since the Stonewall uprising) inspired by queer antecedents throughout world history and performed by a diverse cast of 22 artists. As in his legendary retelling of American history, 24-Decade History of Popular Music, Mac, his cast, and longtime collaborators Matt Ray (music) and Machine Dazzle (costumes) use music, dance, and drag spectacle to subvert and deconstruct conventional narratives, and joyfully, transgressively celebrate queerness in all its forms.

Join us for a post-performance moderated discussion on Fri 2/23 and post-performance community conversations on Sat & Sun, 2/24–25. An Illuminations: “Individual & Community” event.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $42 - $158

Click here for event info and tickets.

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KH FRESH FESTIVAL (Presented by KH FRESH FESTIVAL)
Feb
17
8:00 PM20:00

KH FRESH FESTIVAL (Presented by KH FRESH FESTIVAL)

bright blue clouds in the background, a red and pink flowery set drapes down from the top left corner and form a pool on the ground a wrinkly plastic flies in the air as a black man in a green short sleeve shirt and white pants looks up. over laying this image in bright yellow text reads KH FRESH FEST '24

The Kathleen Hermesdorf FRESH FESTIVAL 2024 brings affordable experimental embodied arts to historic stages and outdoor spaces throughout San Francisco, with 9 days of performances, immersive training, drag and parties, and community events for all performing arts and audiences and movers.

SAN FRANCISCO, CA - December 7, 2023:
Back and bigger than ever, KH FRESH 2024 is an electrifying reckoning of body-based art, conversations, parties, practices, and more. Featuring over 20 interdisciplinary dancers and practitioners from the Bay Area and international community, FRESH 2024 brings radical embodied arts to San Francisco. This year, FRESH conjures the unparalleled power of the arts as a tool of resistance to subvert and heal and grow from ancestral and ongoing violence. FRESH is “Humble healing and self imagination.” Albert Mathias founding FRESH FESTIVAL artist.

KH FRESH 2024 takes place at 4 historic locations in San Francisco: CounterPulse and Dance Mission, with special performances at Yerba Buena Gardens and Aunt Charlie's Lounge. FRESH’s practices are open to all curious, adventurous and serious bodies, offering multiple ways to experience cutting-edge live art alongside experimental movement and multimedia artists.

This is not an ADA-accessible venue.

Audio description provided by Gravity Access Services
Haptic Tour begins at 7 PM

ASL interpretation available

Tickets: $15 - $45

For more information about this event, click here.

For tickets, click here.

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common ground[s] by Germaine Acogny & Malou Airaudo: The Rite of Spring by Pina Bausch (Presented by Pina Bausch Foundation, École des Sables, & Sadler’s Wells)
Feb
16
8:00 PM20:00

common ground[s] by Germaine Acogny & Malou Airaudo: The Rite of Spring by Pina Bausch (Presented by Pina Bausch Foundation, École des Sables, & Sadler’s Wells)

Two people stand against an orange background wearing black clothes.

In this double-bill production, the Bay Area premiere of Pina Bausch’s The Rite of Spring is performed by an ensemble of more than 30 dancers from 14 African countries and assembled through a collaboration between the Pina Bausch Foundation, École des Sables, and Sadler’s Wells. Stravinsky’s score takes on new meaning through visceral choreography as a “chosen one” is sacrificed.

The companion piece common ground[s], also in its Bay Area premiere, is a new duet co-created and danced by two septuagenarians—Germaine Acogny, known as the “mother of African contemporary dance,” and Malou Airaudo, a longtime dancer with the Tanztheater Wuppertal Pina Bausch.

Join us for a post-performance moderated discussion on Fri 2/16 and post-performance community conversations on Sat & Sun, 2/17–18. An Illuminations: “Individual & Community” event.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $38 - $86

Click here for event info and tickets.

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mouf//full (Presented by OYSTERKNIFE)
Feb
4
7:00 PM19:00

mouf//full (Presented by OYSTERKNIFE)

Credit: OYSTERKNIFE (Chibueze Crouch and Gabriele Christian) by Chani Bockwinkel Alt Text: In this photo, Chibueze is a short, light brown Black person with short curly black hair. Gabriele is a Black non-binary person with long gray and red braids tied neatly behind their head. From a side profile, Chibueze, with eyes closed and white boots, backbends into a surrendering lean onto Gabriele’s back, who squats wide in black boots on a gray labyrinth floor, slightly blending into a black background. They both wear tan choir robes with red and tan sashes.

OYSTERKNIFE and CounterPulse’s upcoming premiere mouf//full is a large-scale, site specific, three-day performance event that honors Black faith across diaspora, secular and institutional, indigenous and inherited.

ADA-accessible venue.

Audio Description provided by Gravity Access Services.

ASL Interpretation provided by Cat Riddley.

Tickets: $25-$40 sliding scale, NOTAFLOF

Click here for event info and tickets.

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How I Learned What I Learned (Presented by TheatreWorks Silicon Valley)
Feb
2
8:00 PM20:00

How I Learned What I Learned (Presented by TheatreWorks Silicon Valley)

  • Mountain View Center for the Performing Arts (map)
  • Google Calendar ICS

Collage image of apartment building, typewriter, and young boy with show name overlayed. Text reads: August Wilson's How I Learned What I Learned, Co-Conceived by Todd Kreidler Directed by: Tim Bond

One of the greatest playwrights of our time returns to the stage in this open-hearted memoir charting one man’s journey of self-discovery through adversity, and what it means to be a Black artist in America. Originally performed by August Wilson himself, How I Learned What I Learned recounts his early days as a young poet, his first few jobs, encounters with racism, a stint in jail, divine connection with music, and the luminosity of love.

ADA-accessible venue.

Audio Description Provided by Gravity Access Services.

Tickets: $42-$82

Click here for event info and tickets.

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How I Learned What I Learned (Presented by TheatreWorks Silicon Valley)
Feb
2
2:00 PM14:00

How I Learned What I Learned (Presented by TheatreWorks Silicon Valley)

  • Mountain View Center for the Performing Arts (map)
  • Google Calendar ICS

Collage image of apartment building, typewriter, and young boy with show name overlayed. Text reads: August Wilson's How I Learned What I Learned, Co-Conceived by Todd Kreidler Directed by: Tim Bond

One of the greatest playwrights of our time returns to the stage in this open-hearted memoir charting one man’s journey of self-discovery through adversity, and what it means to be a Black artist in America. Originally performed by August Wilson himself, How I Learned What I Learned recounts his early days as a young poet, his first few jobs, encounters with racism, a stint in jail, divine connection with music, and the luminosity of love.

ADA-accessible venue.

Audio Description Provided by Gravity Access Services.

Tickets: $42-$82

Click here for event info and tickets.

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Babes in Ho-lland: WORLD PREMIERE! (Presented by Shotgun Players)
Jan
28
4:00 PM16:00

Babes in Ho-lland: WORLD PREMIERE! (Presented by Shotgun Players)

  • Shotgun Players at the Ashby Stage (map)
  • Google Calendar ICS

Two women share headphones and listen to music with their eyes closed. Their foreheads almost touch as they lean into one another.

In the sunless Pittsburgh winter of 1996, two co-eds connect over a shared love for R&B girl groups but quickly discover something deeper. While attending a predominantly white college, these two Black students create their own bubble of self-discovery, music, and sanctuary. The tension of love, financial hardship, and future uncertainty threaten to destroy it.

ADA-accessible venue.

Audio description will be provided for this performance provided by Gravity Access Services. Pre-show Haptic Access Tour begins at 4pm, with an audio described performance at 5pm

Tickets: $28 - $37
Use code KISSYOU to save $5

Click here for event info and tickets.

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Les Ballets Trockadero de Monte Carlo (Presented by Les Ballets Trockadero de Monte Carlo)
Jan
27
8:00 PM20:00

Les Ballets Trockadero de Monte Carlo (Presented by Les Ballets Trockadero de Monte Carlo)

A dancer in a white tutu leaps against a black background and dancers in the background.

Celebrating its landmark 50th-anniversary season, the all-male drag ballet company is skewering the old warhorses of classical dance and inviting audiences to rediscover both obscure and beloved scenes from classic repertoire. Les Ballets Trockadero de Monte Carlo were groundbreaking at their founding in 1974, and their irreverent, deeply informed romps through the dance world continue to engage aficionados and novices alike.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $42 - $109

Click here for event info and tickets.

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Smuin's The Christmas Ballet (Presented by Smuin Contemporary Ballet)
Dec
20
2:00 PM14:00

Smuin's The Christmas Ballet (Presented by Smuin Contemporary Ballet)

  • Blue Shield of California Theater at YBCA (map)
  • Google Calendar ICS

A smiling dancer, wearing a red shirt, red pants, and Santa hat, jumps in the air, with one leg extended and one leg tucked under him.

Smuin’s annual holiday extravaganza is back! Celebrate the festive season with a show that’s a little ballet, a little Broadway, and a whole lot of Smuin.

ADA-accessible venue.

Pre-show Haptic Access Tour begins at 12:45 pm (please gather in the lobby at 12:30)
Audio described performance begins at 2:00 pm

This audio-described performance is possible through a partnership with Gravity Access Services. The Audio Describer is Rachael Dichter.

Tickets: $36-$119

Click here for event info and tickets.

Box office: 415-912-1899

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Hair & Other Stories (Presented by Urban Bush Women)
Dec
1
8:00 PM20:00

Hair & Other Stories (Presented by Urban Bush Women)

Five dancers against an orange background.

The Brooklyn-based performance ensemble Urban Bush Women visits for the Bay Area premiere of Hair & Other Stories, a full-length dance-theater work exploring race, identity, and concepts of beauty through the lens of Black women’s hair. Inspired by founder and 2021 MacArthur Fellow Jawole Willa Jo Zollar’s HairStories (2001), the participatory performance is a work of activism, awakening, and engagement, asking the audience to move, to comment, to reflect, and to bear witness. Choreographed and directed by co-artistic directors Chanon Judson and Mame Diarra Speis, Hair & Other Stories was developed from personal narratives gathered from participants at “Hair Party” sessions the company held with women across the country, as well as through the company’s ongoing collaboration with the People’s Institute for Survival and Beyond’s “Undoing Racism” workshops.

ADA-accessible venue.

Audio description will be provided for this performance.

Tickets: $72

Click here for event info and tickets.

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Into the Dark (Presented by Jess Curtis/Gravity)
Nov
19
2:00 PM14:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

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Into the Dark (Presented by Jess Curtis/Gravity)
Nov
18
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

View Event →
Into the Dark (Presented by Jess Curtis/Gravity)
Nov
17
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

View Event →
Into the Dark (Presented by Jess Curtis/Gravity)
Nov
16
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

View Event →
Hedwig and the Angry Inch (Presented by Shotgun Players)
Nov
12
5:00 PM17:00

Hedwig and the Angry Inch (Presented by Shotgun Players)

Graphic Art illustration of a performer in glamorous stage makeup winking. Her silhouette is outlined in neon pink.

Winner of 4 Tony Awards! Hedwig is an “internationally ignored song stylist,” a fourth-wall smashing East German rock ‘n’ roll goddess. This outrageous and unexpectedly hilarious story is dazzlingly performed by Hedwig in the form of a rock gig/stand-up comedy routine backed by the Bay Area’s Skip the Needle Black Dyke Rock band.

ADA accessible venue

Audio Description provided by Gravity Access Services

Doors will open at 3:45 PM for check-in. We recommend arriving early as the tour will begin promptly at 4 PM. The audio-described performance will start at 5 PM.

Tickets: $32 - $34

Trans People of Color watch for free with code TPOC4FREE (Limit one per customer)

For tickets or more info, click here.

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Into the Dark (Presented by Jess Curtis/Gravity)
Nov
12
2:00 PM14:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

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Into the Dark (Presented by Jess Curtis/Gravity)
Nov
11
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

View Event →
Into the Dark (Presented by Jess Curtis/Gravity)
Nov
10
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

View Event →
Into the Dark (Presented by Jess Curtis/Gravity)
Nov
9
8:00 PM20:00

Into the Dark (Presented by Jess Curtis/Gravity)

In a color photograph, five dancers are shown connected by arms and legs. Rachael on the far left is standing with arms reached to her side and the floor, to her right she is connected to Tiffany who is reaching out to her left connected to Ka. Below Ka, Clarissa sits regally, eyes closed, chin over her left shoulder, her right hand is connected to Gabriele is laying with their head towards Clarissa while their feet are connected to Rachael’s right arm, completing the shape.

Into The Dark is a new ensemble work instigated by Jess Curtis in collaboration with a diverse ensemble of Blind, Low Vision and Sighted performers, addressing the physical, subconscious, and literal effects of western culture’s binary mythologizing of darkness and light. A significant period of the piece takes place in total darkness. House staff will be available to escort anyone out of the theater if they should need to leave for any reason. All audience members are given ‘glow sticks’  which they can activate to signal their desire to leave.

The performance lasts approx. 75 minutes. Pre-boarding (early seating) will be offered for people with mobility impairments. There will be no late seating once the show has begun.

This production runs Thursday - Sunday from November 9 – November 19, 2023 at CounterPulse SF.

Audio Description by Gravity Access Services is available for every show.

Haptic Access Tours will take place at 7 PM, one hour before every show. The duration of the tour is approx. 20-30 minutes. Audio Description + Haptic Access Tour by Europa Grace of Gravity Access Services. Register for headsets and tour at: michael@jesscurtisgravity.org

CouterPulse is an ADA accesible venue.

All seating for Into the Dark is on one level, there is no limit to the number of spaces for wheelchair users who reserve tickets and arrive on time for preboarding. There is no late seating.

Deaf Access -  Our Deaf advisors and friends have let us know that the amount of darkness central to this performance is not comfortable for most Deaf people. Deaf audience members who might be interested in attending in spite of the darkness may contact us to discuss individual accommodations such as touch-based Sign Language Interpretation.

For more details visit Gravity’s website.

Tickets are $0-$50 sliding scale, NOTAFLOF

For tickets, click here.

For questions email info@jesscurtisgravity.org.

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Tell (Presented by Circo Zero)
Nov
5
5:00 PM17:00

Tell (Presented by Circo Zero)

A Black dancer is underneath a turquoise silk with her arms outstretched, a white dance is crouching down beneath the turquoise silk. They are in separate photos in a circular shape, the edges of the circle borders touch. The images are on a pink background with subtle background textures

Dancing towards racial healing, Tell holds space for the vulnerability, beauty, and necessity of multi-racial collaboration. The work is potent, always evolving, and will invite you to interact. Come be in process with us. Snacks will be served. Tell is more of an offering than a “show,” it’s a community experience in a life-long journey of racial healing. Creating a space where ancestors are welcomed and multi-generational healing will be explored, Tell is an experimental process-based approach to both racial healing and dance performance.

This show runs 11/3 - 11/5.

ASL: 11/5 (5pm), provided by Debbie Taylor and Cathleen Riddley
Audio Description: 11/5 (5pm),
provided by Stephanie Hewett of Gravity Access Services

ADA accesible venue.

Tickets: $0 - $30

Click here for event info.

Box office and ticket info here.

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SKETCH 13: On Demand (Presented by Amy Seiwert's Imagery)
Nov
1
to Dec 5

SKETCH 13: On Demand (Presented by Amy Seiwert's Imagery)

Photo Collage with performance shots. Text reads: SKETCH 13: ON DEMAND. New Works Every Wednesday in November. Photos Featuring ASI artists JD (Johnathon) Hart in “Visual Language” by Trey McIntyre, Grace-Anne Powers and Austin Powers, Anthony Cannarella in “How it Feels” by Amy Seiwert, Joseph A. Hernandez in “Blooming Flowers and the Full Moon” by Natasha Adorlee, Matisse D'Aloisio in “Gilded” by Hélène Simoneau. Photos by David DeSilva.

This November, Amy Seiwert’s Imagery will release the on-demand screening of SKETCH 13: Lucky. Offered in four parts, we will release a new work every Wednesday. Each work will be available for 14 days. Grab a blanket and your favorite beverage, and enjoy these strikingly different ballets from the comfort of your home.

November 1- 14, 2023 - Blooming Flowers and The Full Moon by Natasha Adorlee November 8-21, 2023 - Visual Language by Trey McIntyre
November 15-28, 2023 - Gilded by Hélène Simoneau
November 22-Dec 5, 2023 - How it Feels by Amy Seiwert

Tickets are pay-what-you-can and will give you 14-day unlimited access to on-demand screening for each work.

Audio Description version and captions available for each ballet.

Tickets are pay-what-you-can

Click here for event info and tickets.

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Cuatro Vientos (FLACC)
Oct
27
8:00 PM20:00

Cuatro Vientos (FLACC)

In the center are two FLACC artists connected at the waist. Chrisopher “Unpezverde” Nuñez’ is upright wearing a pink hoodie while playing the melódica. Gabriela Ceceña’s double image is upside down beneath him wearing an aquamarine costume. She is arching to both sides with her four arms bent in 4 directions. The artists are layered on top of a black stylized compass with a pink background. Show information is written on the corners and base of the poster. Design by Adrian Arias.

Join us for an incredible in-person event at Dance Mission Theater in the heart of San Francisco, CA, USA. FLACC2023: Cuatro Vientos, celebrates the Bay Area’s 10th Annual Festival of Latin American Contemporary Choreographers with performances, classes, and audience engagement at Dance Mission Theater. This year, FLACC is an international magnet in the world of contemporary dance, celebrating radically inclusive, futurist, and leading choreographers from Latin America, the U.S. and Caribbean Islands.

Friday, Oct. 27:
7:00 pm, Haptic Access Tour begins
8:00 pm, Audio described performance with Trilingual ASL interpreted (English and Spanish)
9:00 pm, post-show Q & A session with the artists includes trilingual ASL Interpreters (English & Spanish)
Saturday, Oct. 28:
8:00 pm, Show includes trilingual ASL interpretation (English and Spanish)
9:00 pm, post-show Q & A includes trilingual ASL interpretation (English and Spanish)

ADA accessible venue

ASL Interpretation, Audio Description, Access Tour / Touch Tour / Haptic Tour, Relaxed Performance.

Audio Description provided by Chibueze Crouch of Gravity Access Services

To Reserve a Headset for AD or to register for the Haptic tour contact: Marivel@flaccdanza.org or at (415)672-5201

$25 Advance/ $35 Door
$5 discount code for Disabled attendees and Low Income artists: FLACC23

Click here for tickets, and here for more info.

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Wolf Play (Presented by Shotgun Players)
Sep
17
3:45 PM15:45

Wolf Play (Presented by Shotgun Players)

A young boy in boxing gloves braces for a fight. A silhouette of a wolf hovers beside him and a silhouette of a robin flies overhead. The text reads, Wolf Play, written by Hansol Jung, directed by Elizabeth Carter. "I need you with every cell I possess." Performances begin on September 2nd at Shotgun Players.

What makes a family? In Wolf Play (by Hansol Jung, Directed by Elizabeth Carter), we meet a young boy who feels more connection to wolves than people: “Wolves suck at being alone. Wolves need family.” The play incorporates humor, puppetry, and sharply written dialogue in this tale of people grappling with questions of identity, trust, and parenthood.

Haptic Access Tour at 3:45 PM

Audio-described performance at 5 PM, post-show convo to follow.

AD provided by Gravity Access Services, info@jesscurtisgravity.org

Accessible seating at all shows running from September 2nd to October 1st.

ADA accessible venue.

Tickets: $15.00 - $42.00

Tickets at our preview performances are pay-what-you-can-prices.
For regular performances, we offer limited community tickets for $15 each night (with code: COMMUNITY) to folks experiencing financial hardship.
We also offer discounted tickets for audience members under the age of 25 with code: MADTIX. We check ID at the door to verify age.
We also offer artist tickets (with code: CALLBOARD) for $20 and proof of artistry.

For questions or more info, visit: shotgunplayers.org/online/article/wolf-play

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Alice Bliss (Presented by TheatreWorks Silicon Valley)
Aug
6
2:00 PM14:00

Alice Bliss (Presented by TheatreWorks Silicon Valley)

TheatreWorks Silicon Valley will present the World Premiere of the musical "Alice Bliss" July 12 - August 6, 2023 as part of its 52nd Season. Pictured are (l to r) lyricist Adam Gwon, book writer Karen Hartman, composer Jenny Giering, and director Mark Brokaw at a developmental reading staged by TheatreWorks Silicon Valley and Montalvo Arts Center.

How do you hold on to normal when life is anything but? Set in upstate New York during the Iraq War, this intimate and stunning new musical tells the story of a girl who hits rock bottom, finds her mom there, and begins to grow up. Full of humor, hope, resilience, and sheer teenage joy, Alice Bliss presents a breathtaking exploration of family and community coming together to find hope in the face of uncertainty.

This production runs from July 12 - August 6, 2023.

ASL: 7/25 (7:30pm)
Captioning: 7/30 (2pm & 7pm); 8/2 (2pm)
Audio Description: 8/4 (8pm); 8/5 (8pm); 8/6 (2pm)

ADA accesible venue.

Click here for event info and tickets.

Questions? Contact boxoffice@theatreworks.org

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